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First published on March 19, 2008
Journal of Black Studies 2008, doi:10.1177/0021934708315441
© 2008 SAGE Publications

Article

Lessons From the Maafa: Rethinking the Legacy of Slain Hip-Hop Icon Tupac Amaru Shakur

Rhonda Wells-Wilbon*, Nigel D. Jackson, and Jerome H. Schiele

* To whom correspondence should be addressed. E-mail: Asili{at}verizon.net.


   Abstract
The culture of hip-hop and the legacy of some artists have received much criticism during the past two decades. At the center of that controversy is one artist who is never forgotten, for better or worse, Tupac Amaru Shakur. Although the legacy of Tupac looms large in urban centers around the world among the popular culture of youth, there has been little attention paid to him as a central figure in the professional literature. This article explores his life and lyrics, placing his contributions and struggles on a cycle of the Maat, Maafa, Sankofa paradigm, challenging critics to rethink his legacy.


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